Friday, September 4, 2009
ZEN
Zen is a school of Mahāyāna Buddhism, translated from the Chinese word Chán. This word is in turn derived from the Sanskrit dhyāna, which means "meditation" (see etymology below).
Zen emphasizes experiential prajñā, particularly as realized in the form of meditation, in the attainment of enlightenment. As such, it de-emphasizes theoretical knowledge in favor of direct, experiential realization through meditation and dharma practice.
The establishment of Zen is traditionally credited to be in China, the Shaolin Temple, by the Southern Indian Pallava prince-turned-monk Bodhidharma, who is recorded as having come to China to teach a "special transmission outside scriptures" which "did not stand upon words". The emergence of Zen as a distinct school of Buddhism was first documented in China in the 7th century AD. It is thought to have developed as an amalgam of various currents in Mahāyāna Buddhist thought — among them the Yogācāra and Mādhyamaka philosophies and the Prajñāpāramitā literature — and of local traditions in China, particularly Taoism and Huáyán Buddhism. From China, Zen subsequently spread south to Vietnam and east to Korea and Japan.
The Flower Sermon
The lotus flower, the species of flower said to have been used during the Flower Sermon.
The origins of Zen Buddhism are ascribed to the Flower Sermon, the earliest source for which comes from the 14th century.[1] It is said that Gautama Buddha gathered his disciples one day for a dharma talk. When they gathered together, the Buddha was completely silent and some speculated that perhaps the Buddha was tired or ill. The Buddha silently held up a flower and several of his disciples tried to interpret what this meant, though none of them were correct. One of the Buddha's disciples, Mahākāśyapa, silently gazed at the flower and is said to have gained a special insight directly from the Buddha's mind, beyond words. Mahākāśyapa somehow understood the true inexpressible meaning of the flower, smiled and the Buddha then acknowledged Mahākāśyapa's insight by saying the following:
I possess the true Dharma eye, the marvelous mind of Nirvana, the true form of the formless, the subtle dharma gate that does not rest on words or letters but is a special transmission outside of the scriptures. This I entrust to Mahākāśyapa.[1]
Thus, through Zen there developed a way which concentrated on direct experience rather than on rational creeds or revealed scriptures. Wisdom was passed, not through words, but through a lineage of one-to-one direct transmission of thought from teacher to student. It is commonly taught that such lineage continued all the way from the Buddha's time to the present. Historically, this claim is disputed, due to lack of evidence to support it.
[edit] Bodhidharma
Main article: Bodhidharma
Bodhidharma. Woodcut print by Yoshitoshi, 1887.
Originally known by the name Bodhitara, he was given the name Bodhidharma by his teacher known variously as Panyatara, Prajnatara, or Prajñādhara.[2] He is said to have been the son of a southern Indian king, though there is some controversy regarding his origins {see:Bodhidharma}.
Several scholars have suggested that Bodhidharma as a person never actually existed, but was a combination of various historical figures over several centuries.[3]
He was the 28th Indian, and 1st Chinese patriarch of the Zen Buddhist school of thought.
In the Song of Enlightenment (證道歌 Zhèngdào gē) of Yǒngjiā Xuánjué (665–713)[4]—one of the chief disciples of Huìnéng, the 6th patriarch of Chán Buddhism—it is written that Bodhidharma was the 28th patriarch in a line of descent from Mahākāśyapa, a disciple of Śākyamuni Buddha, and the first patriarch of Chán Buddhism:
Mahākāśyapa was the first, leading the line of transmission;
Twenty-eight Fathers followed him in the West;
The Lamp was then brought over the sea to this country;
And Bodhidharma became the First Father here:
His mantle, as we all know, passed over six Fathers,
And by them many minds came to see the Light.[5]
Bodhidharma arrived in China around 520 C.E., visiting Canton and Lohyang. In Lohyang, he is reputed to have engaged in 9 years of silent meditation, coming to be known as "the wall-gazing Brahman".[2] (The term "Brahman" means one who had got "Bramhagyan" and not related to "Brahmin" caste or cadre) He died around 529 C.E. Bodhidharma focused on direct insight about one's own experience, under the instruction of a Zen teacher, discouraging misguided veneration of Buddhas for the sake of superstition. Often attributed to Bodhidharma is the Bloodstream Sermon, which was actually composed quite some time after his death.
Buddhas don't save Buddhas. If you use your mind to look for a Buddha, you won't see the Buddha. As long as you look for a Buddha somewhere else, you'll never see that your own mind is the Buddha. Don't use a Buddha to worship a Buddha. And don't use the mind to invoke a Buddha. Buddhas don't recite sutras. Buddhas don't keep precepts. And Buddhas don't break precepts. Buddhas don't keep or break anything. Buddhas don't do good or evil.
To find a Buddha, you have to see your nature.[6]
Another famous legend involving Bodhidharma is his meeting with Emperor Wu of Liang. Emperor Wu took an interest in Buddhism and spent a great deal of public wealth on funding Buddhist monasteries in China. When he had heard that a great Buddhist teacher, Bodhidharma, had come to China, he sought an audience with him. When they met, Emperor Wu had asked how much karmic merit he had gained from his noble support of Buddhism. Bodhidharma replied, "None at all." The Emperor asked, "Then what is the truth of the teachings?" Bodhidharma replied, "Vast emptiness, nothing holy." So the emperor asked, "Then who are you standing in front of me?" Bodhidharma replied, "I do not know," and walked out.
Another legend involving Bodhidharma is that he visited the Shaolin Temple in the kingdom of Wei, at some point, and taught them a series of exercises which became the basis for the Shaolin martial arts.[3]
[edit] Early history
See also: Silk Road transmission of Buddhism
As noted above, much of Zen history is combined with mythology. The historical records required for a complete, accurate account of early Zen history no longer exist.[7] Chán (Jap. Zen) developed from the interaction between Mahāyāna Buddhism and Taoism. Some scholars also argue that Chán has roots in yogic practices, specifically kammaṭṭhāna, the consideration of objects, and kasiṇa, total fixation of the mind.[1]
The entry of Buddhism into China was marked by interaction and syncretism with Taoic faiths, Taoism in particular.[8] Buddhist scriptures were translated into Chinese with Taoist vocabulary, because it was originally seen as a kind of foreign Taoism.[9] In the Tang period, Taoism incorporated such Buddhist elements as monasteries, vegetarianism, prohibition of alcohol, the doctrine of emptiness, and collecting scripture into tripartite organisation. During the same time, Chán Buddhism grew to become the largest sect in Chinese Buddhism.[1]
The establishment of Chán is traditionally credited to the Indian prince-turned-monk Bodhidharma (formerly dated ca 500 CE, but now ca early fifth century[10]), who is recorded as having come to China to teach a "special transmission outside scriptures" which "did not stand upon words". Bodhidharma settled in the kingdom of Wei where he took among his disciples Daoyu and Huike. Early on in China Bodhidharma's teaching was referred to as the "One Vehicle sect of India".[11] The One Vehicle (Sanskrit Ekayāna), also known as the Supreme Vehicle or the Buddha Vehicle, was taught in the Lankavatara Sutra which was closely associated with Bodhidharma. However, the label "One Vehicle sect" did not become widely used, and Bodhidharma's teaching became known as the Chán sect for its primary focus on Chán training and practice. Shortly before his death, Bodhidharma appointed Huike to succeed him, making Huike the first Chinese born patriarch and the second patriarch of Chán in China. Bodhidharma is said to have passed three items to Huike as a sign of transmission of the Dharma: a robe, a bowl, and a copy of the Lankavatara Sutra. The transmission then passed to the second patriarch (Huike), the third (Sengcan), the fourth patriarch (Dao Xin) and the fifth patriarch (Hongren).
The sixth and last patriarch, Huineng (638–713), was one of the giants of Chán history, and all surviving schools regard him as their ancestor. However, the dramatic story of Huineng's life tells that there was a controversy over his claim to the title of patriarch. After being chosen by Hongren, the fifth patriarch, Huineng had to flee by night to Nanhua Temple in the south to avoid the wrath of Hongren's jealous senior disciples. Later, in the middle of the 8th century, monks claiming to be among the successors to Huineng, calling themselves the Southern school, cast themselves in opposition to those claiming to succeed Hongren's then publicly recognized student Shenxiu (神秀). It is commonly held that it is at this point—the debates between these rival factions—that Chán enters the realm of fully documented history. Aside from disagreements over the valid lineage, doctrinally the Southern school is associated with the teaching that enlightenment is sudden, while the Northern School is associated with the teaching that enlightenment is gradual. The Southern school eventually became predominant and their Northern school rivals died out. Modern scholarship, however, has questioned this narrative, since the only surviving records of this account were authored by members of the Southern school. Many historians proposed that Chán was probably an indigenous Chinese creation by mixing Buddhist doctrine with Daoist and Neo Daoist ideas. Some Chinese scholars, such as Ma Tian Xiang even propose that Zen's foundation is based on Lao Zhuang Daoist philosophy instead of Indian Buddhism. [12]
The following are the six Patriarchs of Chán in China as listed in traditional sources:
1. Bodhidharma (達摩) about 440 – about 528
2. Huike (慧可) 487–593
3. Sengcan (僧燦) ?–606
4. Daoxin (道信) 580–651
5. Hongren (弘忍) 601–674
6. Huineng (慧能) 638–713
[edit] The Five Houses of Zen
Developing primarily in the Tang dynasty in China, Classic Zen is traditionally divided historically into the Five Houses of Zen or five "schools". These were not originally regarded as "schools" or "sects", but historically, they have come to be understood that way. In their early history, the schools were not institutionalized, they were without dogma, and the teachers who founded them were not idolized.
The Five Houses of Zen are[7] :
* Guiyang school (Japn.,Igyo), named after masters Guishan Lingyou (Japn., Isan Reiy, 771–854) and Yangshan Huiji (Japn., Kyozan Ejaku, 813–890)
* Linji (Japn., Rinzai), named after master Linji Yixuan (Japn., Rinzai Gigen, died 866)
* Caodong (Japn., Soto), named after masters Dongshan Liangjie (Japn., Tozan Ryokai, 807–869) and Caoshan Benji (Japn., Sozan Honjaku, 840–901)
* Yunmen (Japn., Unmon), named after master Yunmen Wenyan (Japn., Unmon Bun’en, died 949)
* Fayan (Japn., Hogen, named after master Fayan Wenyi (also Fa-yen Wen-i) (Japn., Hogen Mon’eki, 885–958)
Most Zen lineages throughout Asia and the rest of the world originally grew from or were heavily influenced by the original five houses of Zen.
[edit] Zen teachings and practices
[edit] Basis
Zen asserts, as do other schools in Mahayana Buddhism, that all sentient beings have Buddha-nature, the universal nature of inherent wisdom (Sanskrit prajna) and virtue, and emphasizes that Buddha-nature is nothing other than the nature of the mind itself. The aim of Zen practice is to discover this Buddha-nature within each person, through meditation and mindfulness of daily experiences. Zen practitioners believe that this provides new perspectives and insights on existence, which ultimately lead to enlightenment.
In distinction to many other Buddhist sects, Zen de-emphasizes reliance on religious texts and verbal discourse on metaphysical questions. Zen holds that these things lead the practitioner to seek external answers, rather than searching within themselves for the direct intuitive apperception of Buddha-nature. This search within goes under various terms such as “introspection,” “a backward step,” “turning-about,” or “turning the eye inward.”
In this sense, Zen, as a means to deepen the practice and in contrast to many other religions, could be seen as fiercely anti-philosophical, iconoclastic, anti-prescriptive and anti-theoretical. The importance of Zen's non-reliance on written words is often misunderstood as being against the use of words. However, Zen is deeply rooted in both the scriptural teachings of the Buddha Siddhārtha Gautama and in Mahāyāna Buddhist thought and philosophy. What Zen emphasizes is that the awakening taught by the Buddha came through his meditation practice, not from any words that he read or discovered, and so it is primarily through meditation that others too may awaken to the same insights as the Buddha.
The teachings on the technique and practice of turning the eye inward are found in many suttas and sutras of Buddhist canons, but in its beginnings in China, Zen primarily referred to the Mahayana Sutras and especially to the Lankavatara Sutra. Since Bodhidharma taught the turning-about techniques of dhyāna with reference to the Lankavatara Sutra, the Zen school was initially identified with that sutra. It was in part through reaction to such limiting identification with one text that Chinese Zen cultivated its famous non-reliance on written words and independence of any one scripture. However, a review of the teachings of the early Zen masters clearly reveals that they were all well versed in various scriptures. For example, in The Platform Sutra of the Sixth ancestor and founder Huineng, this famously "illiterate" Zen master cites and explains the Diamond Sutra, the Lotus Sutra, the Vimalakirti Sutra, the Shurangama Sutra, and the Lankavatara Sutra.
When Buddhism came to China the doctrine of the three core practices or trainings, the training in virtue and discipline in the precepts (Sanskrit Śīla), the training in mind through meditation (dhyāna or jhana) sometimes called concentration (samadhi), and the training in discernment and wisdom (prajna), was already established in the Pali canon.[13] In this context, as Buddhism became adapted to Chinese culture, three types of teachers with expertise in each training practice developed. Vinaya masters were versed in all the rules of discipline for monks and nuns. Dhyāna masters were versed in the practice of meditation. And Dharma, the teaching or sutra, masters were versed in the Buddhist texts. Monasteries and practice centers were created that tended to focus on either the vinaya and training of monks or the teachings focused on one scripture or a small group of texts. Dhyāna or Chán masters tended to practice in solitary hermitages or to be associated with the Vinaya training monasteries or sutra teaching centers.
After Bodhidharma's arrival in the late fifth century, the subsequent Chán masters who were associated with his teaching line consolidated around the practice of meditation and the feeling that mere observance of the rules of discipline or the intellectual teachings of the scriptures did not emphasize enough the actual practice and personal experience of the Buddha's meditation that led to the Buddha's awakening. Awakening like the Buddha, and not merely following rules or memorizing texts became the watchword of the Chán practitioners. Within 200 years after Bodhidharma at the beginning of the Tang Dynasty, by the time of the fifth generation Chán ancestor and founder Daman Hongren (601–674), the Zen of Bodhidharma's successors had become well established as a separate school of Buddhism and the true Zen school.[14]
The core of Zen practice is seated meditation, widely known by its Japanese name zazen, and recalls both the posture in which the Buddha is said to have achieved enlightenment under the Bodhi tree at Bodh Gaya, and the elements of mindfulness and concentration which are part of the Eightfold Path as taught by the Buddha. All of the Buddha's fundamental teachings—among them the Eightfold Path, the Four Noble Truths, the idea of dependent origination, the five precepts, the five aggregates, and the three marks of existence—also make up important elements of the perspective that Zen takes for its practice. While Buddhists generally revere certain places as a Bodhimandala (circle or place of enlightenment) in Zen wherever one sits in true meditation is said to be a Bodhimandala.
Additionally, as a development of Mahāyāna Buddhism, Zen draws many of its basic driving concepts, particularly the bodhisattva ideal, from that school. Uniquely Mahāyāna figures such as Guānyīn, Mañjuśrī, Samantabhadra, and Amitābha are venerated alongside the historical Buddha. Despite Zen's emphasis on transmission independent of scriptures, it has drawn heavily on the Mahāyāna sūtras, particularly the Heart of Perfect Wisdom Sūtra, Hredaya Pranyaparamita the Sūtra of the Perfection of Wisdom of the Diamond that Cuts through Illusion, The Vajrachedika Pranyaparamita the Lankavatara Sūtra, and the "Samantamukha Parivarta" section of the Lotus Sūtra.
Zen has also itself paradoxically produced a rich corpus of written literature which has become a part of its practice and teaching. Among the earliest and most widely studied of the specifically Zen texts, dating back to at least the 9th century CE, is the Platform Sutra of the Sixth Patriarch, sometimes attributed to Huìnéng. Others include the various collections of kōans and the Shōbōgenzō of Dōgen Zenji.
Zen training emphasizes daily practice, along with intensive periods of meditation. Practicing with others is considered an important part of Zen practice. D.T. Suzuki wrote that aspects of this life are: a life of humility; a life of labor; a life of service; a life of prayer and gratitude; and a life of meditation.[15] The Chinese Chán master Baizhang (720–814 CE) left behind a famous saying which had been the guiding principle of his life, "A day without work is a day without food."[16]
[edit] Zen meditation
[edit] Zazen
Main article: Zazen
As the name Zen implies, Zen sitting meditation is the core of Zen practice and is called zazen in Japanese (坐禅; Chinese tso-chan [Wade-Giles] or zuòchán [Pinyin]). During zazen, practitioners usually assume a sitting position such as the lotus, half-lotus, Burmese, or seiza postures. To regulate the mind, awareness is directed towards counting or watching the breath or put in the energy center below the navel (Chinese dan tian, Japanese tanden or hara).[17] Often, a square or round cushion (zafu, 座蒲) placed on a padded mat (zabuton, 座布団) is used to sit on; in some cases, a chair may be used. In Japanese Rinzai Zen tradition practitioners typically sit facing the center of the room; while Japanese Soto practitioners traditionally sit facing a wall.
In Soto Zen, shikantaza meditation ("just-sitting", 只管打坐) that is, a meditation with no objects, anchors, or content, is the primary form of practice. The meditator strives to be aware of the stream of thoughts, allowing them to arise and pass away without interference. Considerable textual, philosophical, and phenomenological justification of this practice can be found throughout Dōgen's Shōbōgenzō, as for example in the "Principles of Zazen"[18] and the "Universally Recommended Instructions for Zazen".[19] Rinzai Zen, instead, emphasizes attention to the breath and koan practice (q.v.).
The amount of time spent daily in zazen by practitioners varies. Dōgen recommends that five minutes or more daily is beneficial for householders. The key is daily regularity, as Zen teaches that the ego will naturally resist, and the discipline of regularity is essential. Practicing Zen monks may perform four to six periods of zazen during a normal day, with each period lasting 30 to 40 minutes.
Meditation as a practice can be applied to any posture. Walking meditation is called kinhin. Successive periods of zazen are usually interwoven with brief periods of walking meditation to relieve the legs.
[edit] Sesshin
Main article: Sesshin
Sesshin (接心, 摂心, 攝心), literally "gathering the mind", is a period of intensive group meditation (zazen) in a Zen monastery. While the daily routine in the monastery requires the monks to meditate several hours a day, during a sesshin they devote themselves almost exclusively to zazen practice. The numerous 30–50 minute long meditation periods are interleaved with short rest breaks, meals, and sometimes, short periods of work (Japanese: samu) all performed with the same mindfulness; nightly sleep is kept to a minimum, 7 hours or less. Sesshins run in silence, except the public talks (teisho) given by master and individual direction in private meetings (which may be called dokusan, daisan, or sanzen) with a Zen Master.
In modern Buddhist practice in Japan, Taiwan and the West, sesshins are often attended by lay students, and are typically 1, 3, 5, or 7 days in length. Seven day sesshins are several times a year at many Zen Centers, especially in commemoration of the Buddha's awakening to annuttara samyak sambodhi. At this Rohatsu sesshin, the practitioners typically strive to quiet the mind's chatter to the point of either Stopping thought, samadhi, kensho, or satori.
One distinctive aspect of Zen meditation in groups is the use of the keisaku, a flat wooden stick or slat used to keep meditators focused and awake.
[edit] The Zen teacher
Main article: Zen teacher
This Japanese scroll calligraphy of Bodhidharma reads “Zen points directly to the human heart, see into your nature and become Buddha”. It was created by Hakuin Ekaku (1685–1768)
Because the Zen tradition emphasizes direct communication over scriptural study, the Zen teacher has traditionally played a central role. Generally speaking, a Zen teacher is a person ordained in any tradition of Zen to teach the Dharma, guide students in meditation, and perform rituals. An important concept for all Zen sects is the notion of dharma transmission: the claim of a line of authority that goes back to Śākyamuni Buddha via the teachings of each successive master to each successive student. This concept relates to the ideas expressed in a description of Zen attributed to Bodhidharma:
A special transmission outside the scriptures; (教外別傳)
No dependence upon words and letters; (不立文字)
Direct pointing to the human mind; (直指人心)
Seeing into one's own nature and attaining Buddhahood. (見性成佛)[20]
John McRae's Seeing Through Zen explores this assertion of lineage as a distinctive and central aspect of Zen Buddhism. He writes of the "genealogical" approach so central to Zen's self-understanding, that while not without precedent, has unique features. It is:
[R]elational (involving interaction between individuals rather than being based solely on individual effort), generational (in that it is organized according to parent–child, or rather teacher–student, generations) and reiterative (i.e., intended for emulation and repetition in the lives of present and future teachers and students.[citation needed]
McRae offers a detailed criticism of lineage, but he also notes it is central to Zen, so much so that it is hard to envision any claim to Zen that discards claims of lineage. Therefore, for example, in Japanese Soto, lineage charts become a central part of the Sanmatsu, the documents of Dharma transmission. And it is common for daily chanting in Zen temples and monasteries to include the lineage of the school.
In Japan during the Tokugawa period (1603–1868), some came to question the lineage system and its legitimacy. The Zen master Dokuan Genko (1630–1698), for example, openly questioned the necessity of written acknowledgment from a teacher, which he dismissed as "paper Zen", Quite a number of teachers in Japan during the Tokugawa period did not adhere to the lineage system; these were termed mushi dokugo (無師獨悟, "independently enlightened without a teacher") or jigo jisho (自悟自証, "self-enlightened and self-certified"). Modern Zen Buddhists also consider questions about the dynamics of the lineage system, inspired in part by academic research into the history of Zen.
Honorific titles used when talking to or about a Zen teacher include, in Chinese: 法師 Fashi, 禪師 Chanshi; in Korean: 스님 Sŭnim (Seunim), 선사 (禪師) Sŏn Sa (Seon Sa); in Japanese: 和尚 (おしょう) Oshō, 老師 (ろうし) Rōshi, 先生 (せんせい) Sensei; in Vietnamese: Thầy.—Note that many of these titles are not specific to Zen but are used generally for Buddhist priests; some, such as sensei are not even specific to Buddhism.
The English term Zen master is often used to refer to important teachers, especially ancient and medieval ones. However, there is no specific criterion by which one may be called a Zen master. The term is less common in reference to modern teachers. In the Open Mind Zen School, English terms have been substituted for the Japanese ones to avoid confusion of this issue. "Assistant Zen Teacher" is a person authorized to begin to teach, but still under the supervision of his teacher. "Zen Teacher" applies to one authorized to teach without further direction, and "Zen Master" refers to one who is a Zen Teacher and has founded his or her own teaching .
Buddhist chant
A Buddhist chant is a form of musical verse or incantation, in some ways analogous to Hindu or Christian religious recitations. They exist in just about every part of the Buddhist world, from the Wats in Thailand to the Tibetan Buddhist temples of India (re: Tibetan Government in Exile). Almost every Buddhist school has some tradition of chanting associated with it, regardless of being Theravada or Mahayana.
Traditional chanting
In Buddhism, chanting is the traditional means of preparing the mind for meditation; especially as part of formal practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic purposes.
While the basis for most Theravada chants is the Pali Canon, Mahayana and Vajrayana chants draw from a wider range of sources.
Theravada chants
In the Theravada tradition, chanting is usually done in Pali, sometimes with vernacular translations interspersed.[1] Among the most popular Theravada chants[1] are:
* Buddhabhivadana (Preliminary Reverence for the Buddha)[2]
* Tisarana (The Three Refuges)[3]
* Pancasila (The Five Precepts)[4]
* Buddha Vandana (Salutation to the Buddha)[5]
* Dhamma Vandana (Salutation to his Teaching)[6]
* Sangha Vandana (Salutation to his Community of Noble Disciples)[7]
* Upajjhatthana (The Five Remembrances)[8]
* Metta Sutta (Discourse on Loving Kindness)[9]
* Reflection on the Body (recitation of the 32 parts of the body).
Critique of melodious chanting
In the Ghitassara Sutta, the Buddha teaches:
Bhikkhus, there are five dangers of reciting the Dhamma with a musical intonation. What five?
Oneself gets attached to the sound, others get attached to the sound, householders are annoyed, saying, “Just as we sing, these sons of the Sakyan sing”, the concentration of those who do not like the sound is destroyed, and later generations copy it.
These, monks, are the five dangers of reciting the Dhamma with a musical intonation.[10]
Mahayana chants
In the Mahayana tradition, different schools are known for different chants, often accompanied by melodious chanting, elaborate rituals and utilization of musical instruments, such as the wooden fish and rin gong (either of which are not used by its Theravadin counterpart):
* Central to daily Nichiren practice is the chanting of the phrase Nam Myoho Renge Kyo (Homage to the Lotus Sutra). Nichiren practitioners will sometimes chant certain chapters from the Lotus Sutra, in particular the 2nd and 16th chapters.
* Pure Land Buddhists chant nianfo, Namu Amida Butsu or Namo Amituofo (Homage to Amitabha Buddha). In more formal services, practitioners will also chant excerpts from the Larger Sutra of Immeasurable Life or occasionally the entire Smaller Sutra of Immeasurable Life.
* Popular with Zen, Shingon or other Mahayana practitioners is chanting the Prajñāpāramitā Hridaya Sūtra (Heart Sutra). In more formal settings, larger discourses of the Buddha (such as the Diamond Sutra) may be chanted as well. Particularly in the Chinese and the Japanese traditions, repentance ceremonies involving paying deep reverence to the buddhas and bodhisattvas, as well as executing rituals to rescue and feed hungry ghosts are also occasionally practiced.
[edit] Vajrayana chants
In the Vajrayana tradition, chanting is also used as an invocative ritual in order to set one's mind on a deity, Tantric ceremony, mandala, or particular concept one wishes to further in themselves.
For Vajrayana practitioners, the chant Om Mani Padme Hum is very popular around the world as both a praise of peace and the primary mantra of Avalokitesvara. Other popular chants include those of Tara, Bhaisajyaguru, and Amitabha.
Tibetan monks are noted for their skill at throat-singing, a specialized form of chanting in which, by amplifying the voice's upper partials, the chanter can produce multiple distinct pitches simultaneous
Non-canonical uses of Buddhist chanting
There are also a number of New Age and experimental schools related to Buddhist thought which practise chanting, some with understanding of the words, others merely based on repetition. A large number of these schools tend to be syncretic and incorporate Hindu japa and other such traditions alongside the Buddhist influences.
While not strictly a variation of Buddhist chanting in itself, Japanese Shigin (詩吟) is a form of chanted poetry that reflects several principles of Zen Buddhism. It is sung in the seiza position, and participants are encouraged to sing from the gut - the Zen locus of power. Shigin and related practices are often sung at Buddhist ceremonies and quasi-religious gatherings in Japan
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